Catch-52 advances a formal epistemic discipline — one concerned not merely with what is known, but with how knowing occurs.
This work names emotion, identity, and continuity as primary mechanisms of meaning-making. It does not treat lived experience as anecdote, pathology, or bias — but as epistemic signal, governed by validity and fallibility.
Within this discipline:
Knowledge, in this view, is always situated, relational, and consequential. It is neither abstract nor universalized — it emerges under conditions.
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